The only difference is in “The Game” the lyrics point to trying to understand the “rules of the game,” or, rather, life. In both, the group expresses the struggles of dealing with reality. “The Game” incorporates various sounds including reggae, chillout music and rock and relates to their previous single. The lyrics are about coping with reality by escaping into a world where things might go down a different route. The song begins with a dream-like sound that slowly fades into the background as the music picks up. Their lead single, “Daydreaming,” a collaboration with Australian singer Tash Sultana, has a little more substance.
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The song’s significance, however, is left rather unclear with lyrics like, “ What if the birds don’t know how to sing anymore, to sing anymore? What if it hurts you so, it hurts you so? I heard this is Fado.” Its melody is best enjoyed without actually paying attention to the lyrics. The project’s first track, “Fado,” is named after the eponymous Portugese genre of music and mixes it with the band’s signature electronic style creating a song that’s perfect to dance to.
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While the music in “Mind the Moon,” continues to be faithful to their sound, several unique stylistic elements are mixed in with each song to create a fun, assorted album. German folk duo Milky Chance, shown in 2016, released its third full-length album “Mind the Moon” Friday. A mix of electronic pop with folk, reggae and jazz, the band’s infectious high and mid tempo beats make it hard to not move to the beat. The German folk band has come a long way since the success of their 2013 single, “Stolen Dance,” which entered Billboard’s Hot 100 in 2014. “After working on what we did to what it gave back to us… To get this chance is definitely amazing.Milky Chance toyed with unfamiliar genres and unique features on their new album, “Mind the Moon,” released Friday. “It’s crazy that it’s possible that we can live doing what we love,” Dausch considers.
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For example, we used a real kick drum instead of a sample kick.” (The group’s process is showcased in an extensive interactive online documentary about the making of the album naturally dubbed Blossomentary.)Īfter a full year’s work, an album that was created in the midst of German cows is likely to be another alternative hit and Rehbein and Dausch are ready to depart Kassel to see the world once again. “the goal was to sound more minimalistic and manmade. “For that first album we were quite limited production-wise, but for this one we were able to work with more possibilities,” Dausch says. It’s a catchy blend house, folk and indie rock, with a sing-along chorus. The album’s title track, premiered here, is another classic Milky track. “A song like ‘Cocoon’ serves as a bridge between our last album and this new one,” Dausch describes, referring to Blossom’s lead single - which, like “Stolen Dance,” is climbing up the charts around the world. U2 Prepping 'The Joshua Tree' 30th Anniversary Edition With Bonus Tracks, Live Cuts & Unseen…Īs a result, the duo relied on real instruments instead of digital and advanced their musicality, while also making a concerted effort to retain their DIY Macbook-uniqueness.
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We enjoy that, because when we were on tour, we saw cities all the time.” We like the calmness, we like the green, we like the woods, and we like that it’s a bit hidden. “We knew we’d be comfortable at home because we like it here a lot. “When you create something, you should be in a mood and in a place where you feel comfortable,” Dausch explains. So, to follow-up the worldwide success of “Stolen Dance,” Dausch and Rehbein made it a priority to skip town, in order to get their creative juices flowing, right? Not quite. It’s actually not a place where there is a lot going on.” We have a lot of woods where we take nice walks and hikes. We’re surrounded by mountains and it gets cloudy, but in a nice way, I’d say. “We have a lot of old places even though a lot of it was bombed out in the second World War. “Kassel is an urban area, but it’s very cozy with green pastures and castles,” Dausch explains.
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Rehbein’s mother’s praise turned out to be prescient as “Stolen Dance” quickly caught fire, and Rehbein and Dausch were suddenly thrust into a life of constant touring, leaving behind their home city of Kassel, Germany.